Artworks

Oak framed, signed original etching.  The print was made to accompany a selection of the poems of Jean Cocteau,Tempest of Stars, in translations by Jeremy Reed and was one of five etchings.

Oak framed, signed original etching of the title page from the artist's book Tempest of Stars.  The print was made to accompany a selection of the poems of Jean Cocteau, in translations by Jeremy Reed and was one of five etchings.

The 2023 the Print and the Poem series with Jealous Gallery is Mammoth Lies Charming Baker's 9 colour screen-print on Somerset Tub sized 410gsm paper.  The print is accompanied by Robert Frost's The Secret Sits (1942) hand typed on Cartridge 95gsm paper.

Swarm Framed etching from Bugs portfolio, published by the Byam Shaw School of Art in London in 2000   In Fiona Banner's etching, Swarm, an amorphous cloud of impenetrable blackness hovers against a white background. It is like a black hole teeming with insects. The print eloquently conveys the unquantifiable and unbounded nature of the insect realm. Banner's work is one of a portfolio of ten prints collectively entitled Bugs. The portfolio was published by the Byam Shaw School of Art in London.   Text from Tate website

A selection made by Harold Pinter and Stephen Stuart-Smith of Pinter’s work from his first published pieces in 1950 through to some of his most recent poems. Pinter wrote some of these poems when he was just twenty, and some date from 1998. All twenty-nine poems testify to Pinter’s belief in the “relish, challenge, [and] excitement” of language. Presented in reverse chronological order, the poems span the spare, impersonal tone of Pinter’s mature years to the hurly-burly exuberance of his youth, when his poetry was influenced by Dylan Thomas and John Webster. Famous as an award winning, hard-hitting playwright, Pinter's poetry...

Tony Bevan RA (born 1951) is among the foremost figurative artists in the UK. A graduate of Goldsmiths College and the Slade School of Art, he has worked in London since 1976, exhibiting worldwide and having important shows at the ICA, London (1987-8), the Staatsgalerie Moderner Kunst, Munich (1989), Whitechapel Art Gallery (1993), Abbot Hall Art Gallery (1999 and 2003), the Israel Museum, Jerusalem (2003), IVAM, Valencia (2005), and National Portrait Gallery, London (2011). His work is in many international collections, including the British Museum; Israel Museum; Metropolitan Museum, New York; Moderna Museet, Stockholm; Museum of Modern Art, New York; Tate; Toledo Museum, USA; Whitworth...

Sir Peter Blake’s Venice Fantasies, made in his mid-seventies with the same lightness of touch and fresh eye that has distinguished all his work, are marked by his characteristic wry humour and unerring sense of the absurd. Fifty years after his first trip to the most magical of Italian cities, Blake returned to Venice in 2007. Subsequently he created this series of affectionate and often frankly preposterous tributes to the city. Taking as his cue the Surrealist collages of Max Ernst and others, he engages in the same sort of time travel and unlikely alliances that marked his celebrated cover design...

Paris Escapades is a beautiful book of Paris collages by Sir Peter Blake. In this enjoyable edition, Blake demonstrates his unerring gift for unexpected juxtapositions and visual story-telling. His collages demonstrate an almost childlike enthusiasm for Paris and an eye no less acute for having a permanent twinkle. Many familiar Paris monuments feature, while submerged in extraordinary events that turn them into the stuff of dreams. There is enough air of reality in some pictures, such as the Seine freezing over, to entrap the unwary spectator. Elephants hover above Notre Dame, and Paris becomes populated by the rich imagination of a...

Internationally acclaimed for its eccentricity and widely admired for its lovelorn lyricism, Dylan Thomas’s groundbreaking 1954 ‘play for voices’, Under Milk Wood, has long echoed in the imagination of the founding father of British Pop Art, Sir Peter Blake. This ‘greenleaved sermon on the innocence of men’ has filled the spaces of Blake’s studio, played and replayed aloud. It also prompted several pilgrimages to Thomas’s creative refuge at Laugharne, Carmarthenshire. Blake’s obsession with Under Milk Wood has spanned well over 30 years, hence the rich volume of material published here. Revealed here with the definitive play text are the ‘dismays and rainbows’ of this great artist’s richly...

Internationally acclaimed for its eccentricity and widely admired for its lovelorn lyricism, Dylan Thomas’s groundbreaking 1954 ‘play for voices’, Under Milk Wood, has long echoed in the imagination of the founding father of British Pop Art, Sir Peter Blake. This ‘greenleaved sermon on the innocence of men’ has filled the spaces of Blake’s studio, played and replayed aloud. It also prompted several pilgrimages to Thomas’s creative refuge at Laugharne, Carmarthenshire. Blake’s obsession with Under Milk Wood has spanned well over 30 years, hence the rich volume of material published here. Revealed here with the definitive play text are the ‘dismays and rainbows’ of this great...

Pigeons with Pelican is from a set of nine prints published in 1994 by the Byam Shaw School of Art to raise funds for scholarships and bursaries. The artists each contributed an image depicting one of the birds of London. The purpose was not to produce an ornithological record but to provide a unifying theme through which the individual temperaments and styles of this group of distinguished artists (among them Craigie Aitchison, Patrick Caulfield, Prunella Clough and Paula Rego) could be expressed. Jeffery Camp RA, a Senior Academician who in his work and writings championed the art of drawing, presents...

Description: Drawing of a butterfly and tile featuring St Jude from a 16th century ceramic stove from the Museum of London Collection. Medium: Coloured pencil on paper Image Size: 30.5cm x 22.9cm Frame Size: 40cm x 30cm

Description: Portland vase with roses Medium: Coloured pencil on paper Image Size: 30.5cm x 22.9cm Frame Size: 40cm x 30cm

Description: 6th Century BC Greek jug with flowers Medium: Coloured pencil on paper Image Size: 30.5cm x 22.9cm Frame Size: 40cm x 30cm

Jim Dine’s vivid, candid and detailed reminiscences about his friendship and working relationship with Aldo Crommelynck (1931-2008), the legendary printer of Matisse and Picasso, over a period of more than 30 years are full of affection, humour and layer upon layer of information. In conversations with Marco Livingstone, Dine charts the extent to which his experience of working with Aldo, a man who was not only a great printer but also a skilled draughtsman, enriched his experience of France on every level. From an appreciation of its art and culture, its city life and countryside, to its food and its specialist shops, Dine’s ruminations also...

This etching, from Jim Dine's Eight Little Nude series of 1982, was published by Pace Editions, New York, in an edition of 30 signed, numbered and dated by the artist. It is a softground etching with drypoint and aquatint in colours, printed on BFK Rives. Dine’s reputation as one of the preeminent American printmakers of the post-war period was established in the early 1960s and he has produced an astonishing body of graphic work up to the present day, often working with master printmakers such as Ken Tyler in Los Angeles and New York, Kurt Zein in Vienna and particularly the...

With 17 original etchings by Jim Dine, Kali is among the most ambitious books yet published by Enitharmon. Dine, one of the greatest living printmakers, admired particularly for his innovative etchings and woodcuts, has revitalised European traditions stretching back to antiquity since he returned to drawing the figure from life in the 1970s. Kali was conceived during an intensive period of printmaking and writing in the summer of 1998. The bound and slipcased book contains a sequence of new poems by Dine and 16 original etchings covering a wide range of his best-known current motifs and some images introduced here for the first...

Out of series, finely bound and slipcased in blue cloth, comprising 17 original etchings with aquatint on wove paper, bound into the volume. No loose print.   A special book of 14 poems by Dine, set alongside his original etchings. One copy remaining.  

Print: 7 Colour Screenprint on Somerset Tub Sized 410gsm Paper, 45x45cm Poem: 2 Colour Screenprint on Somerset Tub Sized 410gsm Paper, 45x45cm Stanley Donwood has partnered with life long collaborator Thom Yorke, also known by his pseudonym Tchock, for the Print and the Poem; an annual project co-published by Jealous and Enitharmon Editions, first initiated in 2015 and released as part of London Original Print Fair. Target Land  is a seven colour screenprint, beautifully presented in a bespoke gatefold 45 x 45cm record sleeve, with debossed text on both the front and back. The print is accompanied by a screenprinted poem, also...

Framed gravure etching by Sandra Fisher, artist's proof number 5 of 10. To Share That Moment was originally published with Thomas Meyer's Monotypes and Tracings, which also contains original monotype prints. This is an artist's proof, created alongside the main edition. The American poet Thomas Meyer’s ‘tracings’ of Goethe, Hölderlin, Heine, C.F. Meyer, Nietzsche, Stefan George, Rilke and Celan are accompanied here by an impressive sequence of figurative monotypes by the American artist Sandra Fisher (1947-1994).  In his poetic introduction John Ashbery writes ‘Meyer’s beautiful takes on German Romantic poetry take one far, to unexpected destinations that often turn out to be the essence of...

A collaboration between Antony Gormley and Colm Tóibín. For the artist Antony Gormley and novelist Colm Tóibín, the unpredictability and drama of the weather is the connecting strand in their long-anticipated collaboration. In Antony Gormley’s delicate and light-filled drawings of the ‘liminal realm of the north Norfolk coast’, published here for the first time, he evokes ‘the blurring of perception between solid, aerial, and liquid’, using Chinese brushes to apply ink to water-flooded paper. He reflects on the drawings ‘as one might look at the marks left by the receding flood: dried salt on a rock, or the tideline on a...

Part of Enitharmon's print and poem series of co-publications with Jealous Gallery.  Howard's print is accompanied by Anne Sexton's poem 'Her Kind' from To Bedlam and Part Way Back (first published 1960)© Linda Gray Sexton The print and poem are presented in a screen-printed bound portfolio. Six-colour screenprint on Somerset Velvet Antique 280 gsm 35 x 28.5 cm, torn edges Poem is a one-colour print on an accompanying Somerset Velvet Antique 280 gsm sheet.   To Bedlam and Part Way Back (1960) Anne Sexton Her Kind I have gone out, a possessed witch, haunting the black air, braver at night; dreaming evil, I have done my hitch over the plain houses, light...

A portfolio including Gary Hume's 2-colour silkscreen print with debossing and the poem 'Study in Black' by Rickey Laurentiis. Both sheets are 410gsm Somerset Satin White.  Sold in a sumptuous green portfolio. The poem originally included the following epigraph: Tu Fu, 'Thoughts While Travelling at Night'.

The portrait of Kate Moss, Stillness Is a Portal to the Divine, is printed on archival pigment print on Hahnemuhle photo rag 308gsm paper.  The screen printed counterpart poem is printed on acetate and is housed in a fluorescent pink custom made perspex box. The edition will form part of the V & A Museum Permanent Art Library Collection and is part of our print and poem series with Jealous Gallery. Edition of 250. Please note shipping  arrangements (courier or collection from Jealous Gallery in London) will be arranged separately after purchase. [video width="1280" height="720" mp4="https://www.enitharmon.co.uk/wp-content/uploads/2021/04/Chris_Levine_Stillness_is_a_Portal_to_the_Divine-copy.mp4"][/video]