Maureen Duffy

Maureen Duffy was born in 1933 in Worthing, Sussex. As well as being a poet, playwright and novelist, she has also published biographies of Aphra Behn and Henry Purcell.

After a tough childhood, Duffy took her degree in English from King’s College London. She went on to be a teacher from 1956 to 1961, and edited three editions of a poetry magazine called The Sixties. She then turned to writing full-time as a poet and playwright after being commissioned to produce a screenplay by Granada Television. In 1960 her play, Pearson, won the City of London Young Playwrights Award. She made her début as a novelist with That’s How It Was, published to wide acclaim in 1962. Her first openly gay novel was The Microcosm (1966), set in the famous Gateways Club in London. Among her later novels, Gor Saga was televised in 1988 in a mini-series called First Born, starring Charles Dance.

Her trilogy of novels: Wounds; Capital and Londoners provide historical fiction featuring London during the early period of Afro-Caribbean immigration; London from Neolithic times through tales of Saxon kings, and a version of Dante’s Inferno, canto by canto, through modern gay London. Her work has often used Freudian ideas and Greek myth as a framework. Duffy has published 31 books, including six volumes of poetry. She is also the author of 16 plays for stage, television and radio. Her Collected Poems, 1949-84 appeared in 1985 and her latest poetry publication Pictures From an Exhibition was published in 2015.

Activism

Duffy has also been active in a variety of groups representing the interest of writers. She is currently the President of the Authors Licensing and Copyright Society, and Vice President of the Royal Society of Literature. She took an active part during the debates around homosexual law reform, which culminated in the Act of 1967. In 1977 she published The Ballad of the Blasphemy Trial, against the trial of Gay News newspaper for ‘blasphemous libel’. She is deeply interested in issues around enforcing traditional forms of intellectual property law, and is President of the British Copyright Council, and a Fellow of King’s College London. She was made a D.Litt. by Loughborough University in 2011 for services to literature and equality law.

Pictures from an Exhibition

For Maureen Duffy, pictures are magical creations and recreations – of history, mythologies, landscape, love and death – where artists take risks analogous to a poet’s with words. Pictures abound in this collection, ushering the reader from canvas to screen via x-rays and iPhone snapshots, the latter inspiring the closing sequence Burdsong. Above all, Pictures from an Exhibition celebrates the mind’s eye, which is its own exhibition gallery: transforming Darlington Station into an upturned ship’s hull or a mauled pigeon into a still life, and glorying in the lives, loves and creations of painters from Veronese to Anselm Kiefer.   BLACK ON...

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Family Values

Inspired by and devoted to absent friends, this selection of poems from 1989 onwards shows Duffy at her bravest and most colourful, a consummate performer who transits without a jolt from Venice to the Underworld, from war-torn elegy to aesthetics. Though the grand theme is that of memorial and resignation, the verse is full of Gaelic wit and linguistic trickery. Amongst many highlights, ‘Lament for the Scribblers’ is a clarion call to failing poets, while the concluding four-part masterpiece, ‘In Novia Scotia’, delicately negotiates the mingled threat and fertility of the ocean.  

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Environmental Studies

Centred on environments – human, insect and animal – some experienced personally, some observed, some imagined. Though strictly contemporary in her concerns, she reaches back in her poetry to childhood, and beyond that in her imagination to cultural figures of the past – John Donne, Edward Elgar, Ralph Vaughan Williams, bringing them lucidly and vividly to life.  

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